It’s from The West Wing, the finale of season 1, a signal the staff work out to indicate that the Space Shuttle has resolved an issue while on a mission. The show is known for infusing humour into the drama — in this case, the Shuttle plot line in this episode is of consequence, but the gesture lightens it up.
A couple of us started using this signal at work to indicate if something’s working — with a similar but different, downward, gesture if it’s not. I guess it’s the latter that applies to City Loop phone coverage.
Update 5pm: There we go, I can use it to mark Turnbull challenging Abbott.
Later on they were in the Galleria (in bottom of the gigantic State Bank, later Commonwealth Bank building at Elizabeth/Bourke Streets), and at times I bought Monty Python VHS tapes, DAAS Book (which I got autographed at the shop by the Doug Anthonys… since sold on eBay) and lots more Doctor Who merchandise, of course. This includes a bunch of laminated posters of paintings from renowned franchise artist Andrew Skilleter, one that also marked the 20th anniversary story (The Five Doctors) — which eldest son Isaac has since had autographed by Fifth Doctor Peter Davison — at an ABC Shop, of course.
Since then the Melbourne CBD shop has moved to the GPO, then more recently to Emporium. And meanwhile they’ve popped up in most big shopping centres.
We still love browsing, and occasionally buying there. The selection of DVDs is more focussed than somewhere like JB Hifi, and the range of other merchandise is good. (Have you seen the amount of Doctor Who stuff that’s available nowadays?!)
Admittedly I browse more than I buy, but purchasable gems still abound… in March I found this excellent documentary:
I found this fascinating when I watched it via, err nefarious means. DVD available at ABC Shop. Lessons for Melb. pic.twitter.com/e0sbmrq5Z6
PS. Trivia: before the recent crop of Doctor Who pop-up shops, there used to be a BBC Shop. Okay, it wasn’t a standalone shop, but a dedicated section of Thomas’s Music on the ground floor of the Southern Cross hotel building.
I’m always interested to see portrayals of public transport in popular culture.
I’ve been watching the Netflix series Sense8 — I’m a bit over halfway through it. (And I just realised the Wikipedia article includes spoilers, so watch your step if you’re planning to watch it).
It’s pretty good — at least, I’m intrigued enough by the story to keep watching. It’s scifi, created by the minds behind The Matrix and Babylon 5, and set in the present day, with eight (hence the name) main characters in different cities around the globe.
In the title sequence they seek to highlight different parts of the world with lots of different shots from the cities featured. Here’s the video if you feel so inclined (it’s about two minutes long).
If you’re trying to highlight different cities, what helps distinguishes them apart from their skyline and famous buildings? Their public transport systems!
Public transport can visually differentiate cities a lot more than, say, freeways, given that motorway signs and cars look pretty much the same across the (western) world.
Perhaps they (at least subconsciously) thought a bit about this, because in the title sequence there are numerous shots of public transport. … Or perhaps there aren’t really that many, and it’s just me that notices them. (Actually there are shots of freeways and road bridges as well.)
Can you guess the cities? Some of them are pretty easy. They’ve doubled up on some, and I think they’ve missed one of the eight cities here.
Here they are in the order shown in the titles:
Those who have actually watched the series would know that one of these actually features heavily in the plot.
What are some other TV shows or movies that have prominently featured the PT systems of their cities (without it necessarily being the basis of the plot, such as Pelham 123) ?
Oh damn. Someone’s cataloguedall the locations in the Sense8 titles (with assistance from the program makers).
In my continuing quest to post ten year old photos, I went looking for good stuff from March 2005. There isn’t much of interest, alas.
It was the month that the new revamped rebooted Doctor Who started — on 26th March 2005 — and I did find this photo of Jeremy — not watching from behind the sofa per se, but close to it.
Oh, here’s an (official?) tenth anniversary video:
Small eggs — I think this was on a walk with Marita’s dog at Altona Beach. Any idea what type of bird laid these?
Finally, I have no idea why I did this, or why I filmed it: shaking up a bottle of Coke in the laundry, and seeing what happened. Perhaps I thought it was past its best by date and needed to be dumped, and decided to experiment with it? I honestly don’t remember.
That’s all I’ve got for this month. April’s looking much more interesting.
This is one of those blog posts which is mostly for my own interest.
We’re up to the start of season 2 in our West Wing DVD (re)watching. That season 1 cliffhanger is brilliant… only spoilt by the excessively perky end theme music (I love the opening title music, but I’ve never liked the ending piece, to be honest).
The West Wing is one of those shows that lasted across the transition from traditional 4:3 television to widescreen 16:9, and the DVDs reflect this.
Season 1 and 2 — the episodes are in 4:3, but oddly the menus are in 16:9. Interestingly, the opening theme changes from the first few episodes — it gets a lot more pomp and circumstance at about episode 5. In this Q+A with composer W.G. ‘Snuffy’ Walden, he says: As a matter of fact, the first couple of episodes don’t have the orchestra version, they have a synth version as we had to get on the air and couldn’t get the main title done in time.
BURBANK – July 19, 2001 — NBC next season will broadcast its popular, critically acclaimed and Emmy Award-winning “The West Wing” (Wednesdays, 9-10 p.m. ET) in a special format – “Presented in Wide Screen” – just as the network has done with television’s top-rated drama, “ER” last season.
The audience-friendly process will feature a 1.78:1 aspect ratio (or more commonly known as “16×9”) as opposed to the basic 1.33:1 (or “4×3”) ratio that is standard on almost all television programs. Because the more rectangular picture encompasses a wider swath of action, a narrow black strip will appear at the top and bottom of the screen that is a form of the letterbox format often used to present feature films on television.
So on the Season 3 DVD — the episodes are in widescreen, but letterboxed (“non-enhanced”), which means they need to be zoomed to fill the display on modern widescreen TVs, and consequently you lose some resolution. Presumably they’d fix this the next time this season is remastered.
Seasons 4 to 7 — full widescreen.
Interestingly, the series was made on film, and in 2010 the entire series was re-released in high-definition… but not on Blu-ray, only on iTunes, for $24.99/season, or $3.49/episode.
It’s not actually the first time it’s been around in high definition. I seem to recall the later seasons aired on ABC1 digital when there was an ABC1 HD channel (before ABC News 24 launched), and though I didn’t have a digital TV at the time, I did sneak a look on the computer with an HD tuner card. It looked gorgeous.
But rather than buy on iTunes what I already have, I think, for now, we’ll stick to the DVDs.
Related: the conversion of old shows to widescreen can be controversial. This fascinating blog post about The Wire reveals that the whole style of the show was based around 4:3 images, and they stuck with it through the series run — but now the push is on to remaster it into widescreen high definition, which in some cases works well, and in others changes the feel of some scenes.