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music

Making gravy

What a concert.

It kicked off at 5pm. You know how at some concerts the support acts are a bit half-rate, fledgling bands still finding their feet? Not a bit of it here. All superb.

Marlon Williams.

Kate Miller-Heidke.

Courtney Barnett.

And then headliner, Paul Kelly.

Myer Music Bowl 12/12/2019

The Sidney Myer Music Bowl was packed, and no wonder — this gig had sold out months ago.

I don’t think I’ve been to a concert at the Music Bowl since I was a kid. Carols By Candlelight one year. It poured down with rain. We were so drenched the tram conductor took pity on us and gave us a free ride home.

This time it didn’t rain, and we were lucky enough to get seats undercover in row G – close enough to see everything; not so close that the crowd at the front blocked the view. The General Admission areas were also packed, with some people finding a comfortable spot on the grass where they couldn’t really see anything, but could at least hear all the music.

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I’ve done all the dumb things

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A friend rang before the main act came on. “We’ve got some spare seats. Row P. Do you want to join us?” Sorry Steve, it’s really nice of you to offer us an upgrade from Economy to Business, but we’re already in First.

There was free bonus entertainment: the couple next to me who got narked-off by the couple sitting in front of them who kept holding their phones up to record long videos of many of the songs. They resorted to tapping them on the shoulder. Then towards the end they got really irritated when the phone couple stood up to dance and see better… but really, that’s part of concerts.

PK played all the hits, and some new stuff. It was all great.

Paul Kelly, 12/12/2019

The clouds threatened but the rain held off, the queues for the food weren’t too ridiculously long, and all the musicians and the crowd were in top form.

And one of my favourites, perhaps his best obscure song: Love Letter, probably the most mainstream song from his terrific Professor Ratbaggy side-project from 1999.

As the crowd dispersed, we walked back along the river to Flinders Street Station. Plenty of people around at 11pm on a Thursday night – and I was once again struck at how busy Melbourne can be, 24/7.

As I walked home from the train, I pondered that I’ve seen Paul Kelly live in concert many times in the past 20+ years. He’s still great.

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music transport

TMBG – and crosstown trips

On Saturday night at the Croxton Bandroom we saw They Might Be Giants playing a 1990s vs 2000s concert. The night before they’d done a 1980s vs 2010s concert.

It was great stuff, very enjoyable.

Now that I’ve heard Instanbul, Doctor Worm and Birdhouse In Your Soul live, I can die a happy man. And there were lots of other great songs – here’s a full set list. I particularly loved Man It’s So Loud In Here.


Obligatory transport content

The last time I went to an inner-north pub gig, we took public transport. This time we drove.

This was partly driving practice for my son on L plates, and partly because an earlier destination that afternoon would have involved bustitution.

Croxton Bandroom, Thornbury

Heading home from Croxton back to Bentleigh in the car took about 40 minutes, with little traffic apart from on some sections of Hoddle Street.

Google Maps tells me that by train it would have taken 56 minutes (including a 13 minute interchange at Flinders Street, which isn’t terrible, but isn’t terrific either) plus a short walk at each end.

A couple of observations on that:

  • Google Maps’ estimate for the car journey, leaving at 11:40pm, is 24 to 55 minutes. I’m not sure 24 would ever be achievable, but it’s not hard to see how it could be a very long trip if there was an event at the MCG/sports precinct.
  • Even at times of relatively light traffic, train can be reasonably competitive with driving in Melbourne, particularly on trips with no freeways – but it’s really pot luck on wait times, especially for trips involving interchange between lines.
  • Quick interchange helps make public transport trips quicker. Changing trains could take up to 30 minutes in the evening, or even 60 minutes after 1am on weekends. Higher frequencies make for quick interchanges, and mean PT is viable for far more combinations of trip start and end points – not just the places that a single route serves.

Trains every 20 minutes in daytime, and every 30 minutes after 7:30pm is completely inadequate for a city of Melbourne’s size. Fixing it would not be expensive because the infrastructure and the fleet is readily available.

Sydney is now at 71% of stations with a train at least every 15 minutes until 11pm. It’s time Melbourne caught up.

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So darling share this wine with me, we’ll be together on the eve of World War 3

Friday night concert! I was sold on Things Of Stone And Wood – though my compradres were really going for the support act, Club Hoy.

It might be cruel to call TOSAW a one-hit wonder, though none of their efforts charted as well as Happy Birthday Helen. But the song was on an album called “The Yearning” (1993) which I really really liked back in the day… perhaps apart from the title track, which seemed overly earnest and solemn. I liked it so much I had both the album on CD, and the EP of the single. Listening to the album today, it’s still terrific.

Friday night’s concert was a full performance of “The Yearning”, a near 25th anniversary performance. I admit, the last two concerts I’d been to were similar setups: Ocean Colour Scene’s Moseley Shoals, and Deborah Conway’s String Of Pearls.

A nostalgic Gen X-er and his money are easily parted.

Northcote Social Club, 24/3/2017

M and I made our way to Northcote and met up with Tony and Elizabeth. We found some dinner and as we chatted over some food, which gave Elizabeth and I a chance to hear Tony and M’s tale of being shushed for talking at a concert many moons ago by a fan of the support act. Don’t talk over Dave Graney!

A notice in the window of the Northcote Social Club gave us the running times of each act (and a song lyric on the sign above), and we opted for dessert over Rick Hart (sorry Rick).

We headed into the club at about 9:30 and found a spot close to the stage.

Club Hoy at the Northcote Social Club, 24/3/2017

Club Hoy came on, and were really good, despite two blokes behind us talking incessantly about the other concerts they’d been to (and presumably talked through).

After a few songs, another bloke trying intently to listen to the band turned around. “Shhhh!”

“Sorry mate”. They disappeared. I laughed and laughed (quietly). Thank you, defenders of support acts everywhere.

They finished up, and suddenly from nowhere, TOSAW fans filled the room, with the two biggest blokes in the place crowding out some of our view. Alas, Tony and Elizabeth bailed at this point to return home to their respective families before it got too late (it was about 10:30pm), which was a great pity because I think they missed a great show. (But I would say that; I accept I’m a Club Hoy newbie and a TOSAW fan.)

Things Of Stone And Wood, Northcote Social Club 24/3/2017

Lead singer Greg Arnold doesn’t look a day older – his long hair, beard and moustache probably help, and I was left wondering if he’s had them since 1993 or if he just grew everything out for the anniversary tour.

No matter. They rocked. It was a great show, with TOSAW tragics singing every word, but everyone present in the sold-out club seemed to enjoy it. And let’s face it, a good deal of what makes a great show is whether the crowd gets into it.

There was some nice band repartee as well. They seemed genuinely delighted to be there in front of such an appreciative crowd, and don’t seem to mind being known popularly just for Happy Birthday Helen (“it took us around the world”).

They answered something I’d long wondered: was The Yearning (track 7) meant to lead straight into Single Perfect Raindrop (track 8)? Why yes! But due to a miscalculation of sorts, on the cassette the effect was ruined, because you had to turn the tape over. No such problem on the CD.

After the 14 tracks of the album, they went on to play a few later songs, including one that sounded very familiar when I heard it: Wildflowers — which they remarked is unfortunately relevant again.

…as well as the B-side “She Will Survive”, with its very memorable lyrics about Jane Austen.

And then it was over. What a great show, and a great night out for $40.

If you remember them from back in the day, and have a chance to catch them (that show was sold out, but they’re on in Geelong this weekend), I can thoroughly recommend TOSAW.

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In the town where I was born

I don’t have “get rich quick” schemes.

I kind of have “get moderately well-off, gradually” schemes.

The worst one has been buying shares. I got a tip that shares in Xero (the online accounting software company) would skyrocket. And they did, from about $6 to something like $40. But that was before I got around to buying them. By the time I bought them, they’d dropped to about $25. They subsequently fell to $15. Currently they’re sitting at $18. I didn’t buy a huge number of shares, but I’ll hold onto them for now rather than sell at a loss.

Here’s one of my crazier schemes:

Before Christmas I spotted this at one of the local toy shops: Lego set 21306: the Beatles’ Yellow Submarine.

Ooh. Alas, I didn’t get it for Christmas, but I thought maybe I’d go buy it for myself.

My mate Josh used to talk about Lego as an investment. Some Lego sets are very limited runs, and over time become quite valuable, especially if in the original box, unopened.

It got me thinking… maybe I should buy two? Keep one for myself; keep the other for, say, five years, and sell it on. I might make my money back, meaning the set I keep is free.

It had vanished from the toy shops. All the toy shops. Chains like Big W and Target had it listed on their web sites, but out of stock. I checked a bunch of them, including checking with a friend who runs a shop that sells Lego. No luck. All gone. No more coming.

Yellow Submarine Lego

My last hope was the official Lego online shop. The catch is you pay an eye-watering $25-35 for shipping.

But wait! Go above $200 and they waive the shipping fee! The set is $80, so including shipping I could order one for $110, two for $195, or three for $240. So I ordered three.

(Checking again now, the web site offers conflicting information — one page says $200, another says $100.)

The sets arrived today.

This may be my silliest investment scheme yet, though even now the set is listed on eBay at a “Buy it now” price of around $120. Who knows if they’re actually selling at that price.

I’ll let you know how it went in about five years.

Categories
music

Good riddance

Since I don’t have a transport-related post ready at the moment, here’s a quick one about music.

I’m loving the Sonos system. I’d been warned that buying extra speakers for it was addictive, and it’s true. I just got another Play:1. They’re the smallest of the range, but they still pack a punch. (All Sonos speakers are $50 off at the moment, until the end of the year… help me, I don’t need more, but may not be able to stop myself.)

But anyway…

I sometimes listen to Green Day at work when I’m trying to concentrate. It’s good for drowning out background noise.

I was remarking to my sons that “Time Of Your Life” is just about the only Green Day song you hear on many radio stations. It’s also perhaps the most un-Green Day like Green Day song.

They replied that they don’t like the song, it’s too overused, and too nice.

Nice? Ah… so I was able to tell them three things they perhaps didn’t know about the song, which might be reasons to like it.

1. It was used on the Seinfeld finale (well, the clipshow episode that aired with the finale). Even for millenials, Seinfeld is a hit, so that’s worth some brownie points.

2. On the album recording, if you listen carefully from the beginning, you’ll hear Billie Joe starts playing, hit a couple of wrong notes, then utter an expletive before starting again.

3. It’s not called “Time Of Your Life”. Its full name is actually: “Good Riddance (Time of Your Life)”, which puts a completely different spin on it. Indeed, Billie Joe Armstrong wrote it in anger when his girlfriend broke up with him and moved overseas.

Does this make it unsuitable for end of school celebrations and funerals and the like? Probably not. Wikipedia: To the band’s surprise, the song became a hit at prom dances. … Billie Joe Armstrong remarked that, in retrospect, the lyrics make sense when viewed that way. “The people that you grew up and braved the trials of high school with will always hold a special place. Through all the BS of high school you hope that your friends had the time of their life, and that’s what the song is talking about”.

Also amusing: the song’s style is quite unlike the rest of the Nimrod album. Songfacts says: The song was such a sonic departure for the band that record stores reported a high rate of returns from customers who purchased the Nimrod album expecting similar songs.

But in any case, my sons decided they had a new-found respect for the song.

The lesson here? Sometimes things aren’t quite what they seem at first glance.

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Consumerism music

Rickrolled in Bunnings

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Home life music Toxic Custard newsletter

TreatYoSelf: Sonosed

Brace yourself… a non-transport-related blog post.

A couple of years ago I bought a Yamaha surround sound setup, which has been fabulous. I’d single out the sound track on Mad Max Fury Road in particular; very immersive.

Heck, even later seasons of the West Wing had some subtle surround going on, adding to the viewing experience.

I’ve used it for music too, and it sounds great. I copied all my iTunes music onto a USB stick* which can plug into the front of the receiver. You can play tracks or albums by navigating through on the TV, or via a phone or iPad app. But it’s a bit clunky; it’s not really designed well for that, and it can’t fathom tracks within genres, nor play lists, and it certainly can’t do anything as fancy as random/shuffle play. (Hey Yamaha, how about an upgrade?)

You can play music from iTunes to it via Apple AirPlay, but that requires using a computer.

*By the way, I have iTunes configured to rip CDs as MP3s at the highest bitrate. I figure those files are more widely playable than any other format.

Sonos Play 1

But I was still craving J+M’s Sonos system, particularly the idea of music playing in perfect sync around the house, preferably without wires everywhere.

I considered other cheaper options. Could I achieve the same with a few Google Chromecast Audio dongles? Perhaps, but it’d be messy. And other manufacturers have Sonos-like speakers (though the good ones aren’t really much cheaper).

Then a few weeks ago JB Hifi offered $50 off Sonos speakers, so I thought what the hell, I’ll go for it. I thought maybe I could splurge for a Play:1 (the smallest speaker, $299 less the $50 discount) and get a Connect (a little exhorbitant at $549) to sync music through to the Yamaha receiver and speakers.

Nagging doubt on the Sonos Connect: Sonos speakers have a fixed delay of 70ms (to allow them all time to sync), which is fine. And the Yamaha can be adjusted to delay, if it’s ahead. But if the Sonos is ahead, you’re stuffed. You can try switching the Yamaha to Direct Mode, but if it’s still behind, you’re still stuffed. No music sync. (I also vastly prefer the Sonos gear in black. The Connect is only available in white.)

Anyway, I got the Play:1 and tried it out. Very impressive. It thoroughly exceeded expectations. Great sound.

When the kids heard it, they thought the music was playing out of the Yamaha’s big speakers, not the tissue-box-sized Sonos speaker on the mantlepiece.

Which made me think: if the goal is multi-room music, why even bother getting the expensive Connect for a (possibly troubleprone) link to the Yamaha? Why not just buy another Play:1 for half the cost?

Ingenious. And of course the Play:1 can be moved around if ever required.

Done. Bought.

Meanwhile I’d been looking around at what secondhand dealer Cash Converters had in the way of Sonos gear. The Parkdale store had a Sonos Bridge, used to configure Sonos systems to use their own network instead of the WiFi. It’s the old model (the new one is called Boost, costing $149), but was only $29. Sold.

So now I can play synched music in the livingroom and kitchen, which in my small house, covers most of the common area of the house. And the speakers are small enough that I can move them around if needed.

Some people online reckon that there’s not much difference sound-quality-wise between the Play:1 and the larger Play:3. And I think I like the style of the 1 more than the 3 or 5.

For online radio, it’s not perfect, because it’s relying on good internet. Like the Pure radio I already had in the kitchen, it seems to be occasionally prone to dropouts if the home internet (Optus cable) is clogging up. (The Pure radio also does actual radio, including DAB+ digital radio, so I can flick it to Double J if BBC Radio 6 Music is playing up.)

I still think the Yamaha was a good choice for surround-sound movies. Sonos’s option (Playbar plus Sub plus speakers) is around three times the price, and it can’t do DTS sound. It’s also dependent on the TV being about to output a 5.1 signal, which some can’t.

My next step was going to be to put my home music collection on a shared drive that the Sonos can play, such as a Raspberry Pi set up as a NAS — but I checked and my cable modem/router has that feature. It’ll share anything plugged into the USB port. So I plugged the USB stick I’d been using in the Yamaha into the router instead, then told the Sonos where to find it… job done!

Of course, Sonos is one of those things like DSLR camera lenses… addictive… I’d be surprised if I don’t end up buying more gear at some stage. Hmm, one for my bedroom perhaps?

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Multi-room music (and Star Wars)

Star Wars episode seven is officially out today on DVD and Blu-ray, but I managed to buy it yesterday — some shops with a name starting with Big and ending in W jumped the gun, as did some with the initials J and B, apparently, though the large W establishment is selling it for $23 (on Blu-ray), which seemed like a pretty good price.

It had been available on iTunes and other digital services for some days, but I wanted the higher picture and sound quality of Blu-Rey. (iTunes can give me HD via my old iPad Mini, but I’ve found it actually drops frames during playback. Not so good.)

It sounds mucho-impressive on the Yamaha surround sound setup that I got in 2014, which I’m very very happy with. This unit does an awesome job with movies and TV, which was always the priority for me — that’s basically why I didn’t go with Sonos at the time; the cost for 5.1 would be about three times what I paid (thus unaffordable for me) and it is limited; for instance it doesn’t support DTS.

Back to the music

But this post is mostly about music.

The Yamaha unit can play my music collection via the network or just off a USB plugged into the front, and it sounds great. It also does online radio (via the vTuner service), which is very neat. I bought a separate Pure Flow One radio (digital/FM) for the kitchen, which also does online radio. Yay, BBC 6 Music!

The only thing my equipment doesn’t do is multi-room music, which systems like Sonos excel at. Yes, I can play BBC 6 in both rooms, but it’s not in sync, which would be handy in a smallish house where the living areas are all within earshot.

So yes, I still have Sonos envy. I regularly see it in action at M+J’s house, and recently I was over at another friend’s house and they have it too. Very nice.

What’s interesting is the emergence of the Google Chromecast Audio, a cousin to the original Google Chromecast (which is used for TVs). GCA, as I’ll call it for short, costs A$59 and brings Sonos-like features to old (active) speakers, and as of a December software update, this includes multi-room capabilities.

So GCA is a bit like a poor man’s Sonos Connect, which retails for A$549, providing much of the functionality at about a tenth the price… well, kind of, sort of.

But there are also other systems now available — more jumping on the Sonos bandwagon every few months it seems. So comparing them, we have (and I’m particularly interested in how much it costs to connect to older equipment):

  • Sonos — the one to beat. Pricey, but very mature technology; they’ve been in this game longer than anybody else. Connection (Sonos Connect): $549, speakers from $299.
  • Pure Jongo — cheaper than Sonos, but more obscure in Australia. Their technology is called “Caskeid” (pronounced Cascade) and apparently Onkyo has licenced it. Connection (Jongo A2) $149, speakers from $199.
  • Denon’s Heos — same price range as Sonos, but the controller app gets poor reviews. Connection (Heos Link) $599 (it’s an amplifier as well, so more of an equivalent to the $749 Sonos Connect Amp), speakers from $379.
  • Yamaha’s MusicCast — compatible with latest model Yamaha receivers, but not mine. Limited range of products otherwise, from $349. Interestingly, this review implies all of the components can connect to old equipment, but looking more deeply, it appears this means only if that equipment supports Bluetooth, which my 2-year-old receiver doesn’t. The newer version of the same receiver (RX-V479) has MusicCast built in.
  • Samsung Sound — has a connection to old equipment called the “Multiroom Link mate” for $449, speakers from $299.
  • Panasonic has equipment using the Qualcomm Allplay standard, which theoretically other manufacturers can all use… but Panasonic seem to be the only ones available in Australia, apart from the near-no-name brand Laser (which I’ve seen in Officeworks of all places) and one Medion product (sold by Aldi… occasionally). Panasonic’sConnection $279, speakers from $379.
  • Harmon Kardon Omni+ — connector $229, speakers from $329. Seems to be getting poor reviews.
  • Bose Soundtouch. The only connection option is the $799 amplifier (similar to the Sonos Connect Amp). Speakers from $299.

Cheapie wireless speakers

But here’s the interesting thing: some brands support Google Cast:

The catch? Google Cast on third party speakers doesn’t yet support multi-room. Google says:

We are working on adding Multi-room group playback support to all of our existing and upcoming audio devices with Google Cast built-in. This will allow you to group your Chromecast Audio devices and Google Cast speakers from different brands into one seamless experience. This feature will be rolled out to all Google Cast speakers throughout 2016.

I’d hate to fall victim to vapourware, so I think I’ll believe this when I see it.

Let’s face it, the technically best solution still seems to be Sonos. They’ve been in the game a long time, their tech is mature, and they’ve got a proven record for selling equipment that lasts, and is upgradeable over many years. If I want multi-room music, I could get a Sonos Connect and then gradually get a bunch of Sonos speakers for around the rest of the house. Cost for Connect plus a speaker is from about $850…

Or I could get a GCA for the Yamaha, another for the Pure Radio in the kitchen, costing $120, and then speakers with Google Cast for other rooms, if the promised upgrade comes through. Cost from about $370.

I’d also need to figure out where to serve local music from. I should check if my router has is NAS capable – some can happily serve up files on a USB stick plugged into the back.

GCA does have a possible flaw: it has problems with gapless music played from some sources… it seems MP3 or AAC format is okay but WAV or FLAC isn’t. (What’s gapless music? Playing consecutive tracks with no gap between them, so that songs that lead into one another like on side B of Abbey Road don’t have short silences between them. Wait, did I just say side B? Showing my age…)

Multi-room music is perhaps the ultimate in extravagant unnecessary lifestyle products for my home. I think I’ll hold off and see if Sonos decide to get a bit more price-competitive and bring the Connect down in price in response to Google Cast and/or see if Google Cast gets a firmware upgrade to properly handle gapless music, and to handle multi-room music on third-party speakers.

Has anybody gone down this road before me? What did you find?

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Oh oh la la: Ocean Colour Scene live

Ocean Colour Scene played last night at Max Watt’s (formerly known as the HiFi bar — I assume the current name is a pun about loud music, rather than being named after a person).

As I mentioned a few weeks ago, I’ve wanted to see them play live for decades, but this is their first tour of Australia.

OCS

The tickets were a Christmas present from Marita. We got there about 8:15… there was no sign of the support act “El Mariachi” — perhaps they’d been and gone. OCS was expected at 9:15. I bought myself a t-shirt and a drink and we found a good spot to stand.

I’d been warned it was a hot stuffy venue, which might not be pleasant after a hot day in Melbourne, but lining the walls were numerous air conditioners, and despite it being a sold-out gig, the heat wasn’t oppressive… at least for the audience.

They were clearly feeling it on stage though. Frontman Simon Fowler seemed to be suffering more than most, but didn’t seem to let it affect his performance. His voice doesn’t seem to have lost any of its power in 20 years.

In fact the whole band performed really well. Holy crap that Steve Cradock can play a guitar (he also plays in Paul Weller’s band). Drummer Oscar Harrison let loose with a short drum solo — I think it was on the end of You’ve Got It Bad. Bass player Raymond Meade, who joined the band last year, was more low-key (as bass players often are), but was great too.

Ocean Colour Scene playing in Melbourne, 23/2/2016

While the band was terrific, the sound quality, I thought, wasn’t great. Maybe it was where we were standing, and/or my ears can’t handle the noise these days, but it seemed just a little too loud and distorted. Not that it stopped me enjoying it thoroughly, and singing my lungs out.

They started with their 1996 album Moseley Shoals in full. It was their second album, and their most successful — about half of the tracks ended up being included on their 2001 “best of” compilation, but even those that missed out are great — of those, I particularly like The Downstream, but I love some of the more well-known tracks such as The Circle, The Day We Caught The Train, and one I think is a masterpiece: One For The Road.

At the bar I’d overheard some English accents — it seemed a number of expats were in the audience, and whether they were Brits or locals, many people seemed to be singing along. Most of the songs are very singalongable.

Ocean Colour Scene - Melbourne set list (via "Cornton Thornholders" on Facebook)
Set list, via Facebook

After Moseley, they went on to some of their other songs, finishing up with Hundred Mile High City, with its killer riffs, which incredibly they seemed to play note-for-note, but faster than the original studio version.

A great night.

  • Review of the Perth concert
  • Guardian: Ocean Colour Scene: the band whose chief crime was being too normalThe Riverboat Song’s scalding riff – “It came from me being really pissed off one day,” says Cradock – still makes me lip-bite like David Brent and reach for my air Gibson. The Circle is a flat-out masterpiece, all the way from its feedback fade-in to its lovely, shredding outro. There’s depth, too: beyond encore favourite The Day We Caught the Train there’s the sorrowing One for the Road, the sweetly complex It’s My Shadow and Lining Your Pockets, with its pertinent lyrics about greed.
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Ocean Colour Scene touring Australia

Back in the day I watched the 1998 movie Lock Stock and Two Smoking Barrels, and liked it.

Then I watched the 2001 TV spin-off Lock Stock which was okay I guess (it was notable for having Martin Freeman in a couple of episodes, in one of his early roles).

But what really grabbed me was the theme music, an instrumental version of a song called July by Britpop band Ocean Colour Scene — possibly because another of their songs had been used as the movie’s theme song.

Ocean Colour Scene were pretty big in the UK, with their second album Moseley Shoals (1996) being possibly their best known and most successful. I’ve bought quite a few of their albums over the years, and they’re still going. But they never seem to have made it internationally.

I’m not sure I could name a favourite song; they’ve done some great ones, but one I will note as being thematically up my alley is Mechanical Wonder — as author Simon Fowler wrote: I wrote this walking the dog on the Grand Union Canal and it yearns for a time before the roar of the M40.

To my surprise, for the first time, they’re coming to Australia, as part of their tour marking twenty years since Moseley Shoals was released.

Marita found it first, and (spoiler alert) has bought me tickets for Christmas.

Ocean Colour Scene playing in Melbourne

Honestly, I thought I’d have to try and make it to England to see them in person. Instead I’ll only have to make it into the city. How good is that?!

If you’re a closet OCS fan, or like the Britpop genre, book fast — the Perth show has already sold out.