Geek central, Melbourne

They say geek is the cool, right?

Geek central in Melbourne must be the corner of Elizabeth and Little Collins Streets.

Why? Because within a few metres are no less than three pop culture shops:

Firstly, there’s the Doctor Who “popup” (eg temporary, until January) shop. Actually it has Sherlock merchandise too, which probably makes it more of a Steven Moffat shop.
Doctor Who Popup Shop, Melbourne, Summer 2014-15

Secondly, a little further up Little Collins Street is this shop, which as far as I can tell, has no actual name. At least, none prominently on display. (Professor Google says it’s called “Critical Hit“.)
Collins Gate pop culture shop

Thirdly, that old favourite, Minotaur. I used to shop there in the 80s when it was in Swanston Street. Then it moved to Bourke Street, and more recently(ish, well, probably 10+ years ago now) to Elizabeth Street — the former Melbourne Sports Depot, I think.
Minotaur

Also nearby:

EBGames in Swanston Street (also a former Melbourne Sports Depot?) has opened a geek section in their basement.

The ABC Shop has moved to Emporium.

Why does the government want to kill Community TV?

It takes a special kind of cunning to first nobble the National Broadband Network, that if fully implemented might have been able to reliably deliver realtime high-definition video into homes…

…and then cancel community television licences, and demand those stations go online instead.

Obsolescence, sculpture in Bourke St Mall

This seems like a bad idea in many ways, not the least of which is that many of the disenfranchised and elderly members of our society who might use community TV may be less likely to have good quality internet connections.

Community TV doesn’t just broadcast programmes and issues that can’t get an airing on mainstream channels, it’s also a training ground for talent, and to help that happen, the broadcasts need to be easily found. Having them on free-to-air helps achieve this. Even fewer would watch if they were a hidden needle in the YouTube haystack.

It’d be a crying shame if these stations around the country could no longer broadcast, while the apparently precious broadcast spectrum is used for multiple stations which just play ads all day every day (SpreeTV, TVSN, Fresh Ideas, Extra, Extra 2).

One proposal was that community TV could take over unused SBS channel 31. Great idea! Nope — the Government says No. Why on earth are they so keen to get these channels off air?!

Commit To Community TV campaign

Doctor Who breaks new ground for television

It would seem Doctor Who is breaking new ground in some interesting ways.

They’ve engineered a “world tour” which involves the show’s stars jetting around the world for live appearances in 6 cities around the globe over about a week. It’s just about finished now… I’d imagine they’d be suffering horribly from jetlag by the time they get back to the UK. It was a set of public screenings for fans, but given limited capacity at each venue, I suspect was mostly set up as a media event.

Doctor Who: Deep Breath cinema ad, The Age, 15/8/2014

Next week “Deep Breath”, the new series opening episode will be simulcast on the ABC at the same time as it airs in Britain — 7:50pm Saturday in the UK, 4:50am Sunday in eastern Australia. It’ll then be available on iView straight afterwards, with a prime time repeat at 7:30pm. The same occurred with the 50th anniversary episode “Day Of The Doctor” last November.

It’ll also be shown in the cinemas on the Sunday: from the looks of listings on yourmovies.com.au, almost 100 cinemas in Victoria alone will show it.

Cinemas do seem to be moving into this kind of special event area. Perhaps they are looking to diversify from traditional movies, and also sensing that people will willingly pay a higher “event” price: Village is charging $25 for tickets, about $6 more than the normal price, and $40 for Gold Class, which is about the usual price. So they’ve recently taken on screenings such as showing the Monty Python live concert from London, a similar Stephen Fry event, classical music concerts and operas — and Doctor Who episodes — “Deep Breath” follows “Day Of The Doctor” in this regard, and recently some cinemas have also shown episodes in the past (though well after the TV broadcast).

I guess the production of TV programmes in 1080p HD now allows projection onto the big screen, and digital media allows distributors to rush it to cinemas worldwide without messing about trying to get physical film out there. But still, in the world of television, this and the simulcast appear to be almost unique to Doctor Who.

Of course there’s long been a relationship between TV and cinema. In the 60s in particular it was common for TV series (particularly in the UK) to be remade as films, sometimes with the same cast and writers, and considered part of the TV series; sometimes independent (as with the 1960s Doctor Who movies).

Many of our family is going to see “Deep Breath” in the cinema. The kids are going to screenings with their friends — M and myself have splurged on Gold Class, and will most likely avoid the early TV broadcast and try and avoid spoilers until we see it on the big screen. (I avoided seeing “Day Of The Doctor” because it was only shown in 3D, which doesn’t work on me.)

Notably, booking on the Village Cinemas web site, we found that on top of the ticket price there was a $2 booking fee for standard tickets… but a whopping $10 for Gold Class. Using the identical web site of course, and you have to print the ticket or show it on your mobile phone. The cheek of it.

Oh well, cost aside, it should be great — but it makes me wonder: Doctor Who is probably helped into this situation by being a cult show that’s also very popular, and being targeted at all ages… but is any other TV show getting this kind of treatment?

A day at OzComicCon

We went to OzComicCon for the first time on Sunday. Here are some photos.

It was at the Exhibition Buildings, and pretty much filled the space, both upstairs and downstairs, plus a couple of big tents outside, one of which included the main stage. Parts of it got quite crowded, and it was kind of amusing to see people dressed up as the most hideous and frightening monsters in the many universes portrayed, slowly carefully moving around, and saying “excuse me” and “sorry” if they bumped into anybody.
OzComicon 2014

Unfortunately we couldn’t look inside this thing to see if it is actually bigger on the inside. It was very realistic though — we got chatting with the bloke who ran the company that makes them, who has had inside access to the Doctor Who production facilities to help make the replicas as accurate as possible.
Daniel with a Police Box, at OzComicon 2014

A minor disagreement.
Disagreement with a Dalek at OzComicon 2014

A lot of OzComicon people went next door into the Museum to use the cafe when the in-venue food vendors got overwhelmed. I wonder what the museum vendors thought of some of the costumes. As you can see, it appears Prince Oberyn is alive and well.
Prince Oberyn, at OzComicon 2014

Don’t blink! This lady had one little kid nervous. He hid, and kept asking his mum “Is it gone?” — he’d obviously forgotten the cardinal rule to keep watching the statue, and not blink. His mum would reply that the statue wasn’t an It, but a She.
Weeping Angel, at OzComicon 2014

High on the cuteness factor: With his dad was this mini-Matt Smith.
Mini Matt Smith at OzComicon 2014

Arthur Darvill (Rory from Doctor Who) seemed to enjoy himself during his Q+A session, and told a few good anecdotes. He’s also quite a good singer, and got a guitar out and sung Kylie’s “Can’t Get You Out Of My Head”. We had queued for about half an hour to get good seats — the queue rapidly grew. The only complaint I’d have is the audio quality where we were sitting meant we really had to concentrate to understand what he was saying.
Arthur Darvill (Rory from Doctor Who) at OzComicon 2014

Hey, who turned out the lights?
Vashta Nerada, from Doctor Who, at OzComicon 2014

In amongst all these people, we found Wally.
Where's Wally at OzComicon 2014

All in all, we had a good time. We didn’t go for the autograph and photo sessions, but enjoyed looking around at the stalls and costumes. Amongst the various characters from many, many different franchises, Jeremy counted 41 Matt Smith Doctors, but my surprise was we also spotted a William Hartnell Doctor — sorry, no pic.

Before home video

In the days before home video, we had to resort to other means to re-live movies and TV shows.

Novelisations of productions were common. I knew people who had hundreds of Doctor Who novelisations — virtually every story had a book published. I had perhaps a dozen.

WarGames book coverOther books made it into publication — scripts, programme guides, and spin-off material. Of course these are still common, but perhaps only for specific “cult” titles that the makers think will sell really well.

I used to have the script for The Singing Detective. At home I still have two books from The Goodies, which have a wealth of quite amusing material. I didn’t bought them, but acquired them both from the primary school library during clear-outs.

Some people would record TV shows onto audio tape. About a hundred 1960s Doctor Who stories are still lost — but audio recordings exist for every single one. (It’s perhaps a sign of the priorities of big bureaucracies like the BBC that paperwork exists for all the stories, despite the actual stories having been thrown out.)

In the 80s before I had saved up for a VCR, I recorded some stuff onto audio… from memory by just putting a tape recorder close to the TV, though I may have later rigged up a cord connecting the two directly. The Young Ones was an example — I had most episodes on cassette, and listened to them regularly for a while.

One of the movies I bought the novelisation of back in the day was WarGames, which as I’ve written about before, was very influential on me. As I recall it follows the movie script closely, but has a few extra titbits: such as that after the movie ends, David gets a summer job doing computer work at NORAD, and his school is convinced to buy some computers to teach computer studies to the students.

I don’t know what happened to my copy of the book. Presumably I got rid of it during a house move at some point. So in the best traditions of nostalgia, when I got curious and looked on eBay the other week, I found a copy for under $10, and bought it again.

I still love the movie. I bought the 25th anniversary Blu-ray release recently as well — it looks great in high-definition. I’ll probably re-read the book at some stage. It’s only 220 pages — it’ll be a pretty quick read I’m sure.

Nowadays, people can record anything off TV easily using cheap technology, and perhaps every major TV show and movie is released on DVD and/or Blu-ray, and (eventually) repeated ad infinitum on one of the many TV channels. No wonder novelisations have mostly disappeared, and few people record audio off the TV anymore.

  • Ever wondered about the term “Wardriving“, meaning to look for open Wifi networks while driving? It’s derived from “War dialling“, meaning to ring lots of phone numbers looking for computers answering… the word came from the movie.)
  • Speaking of scripts, there are over 80 made freely (and legally) available for download here: Go Into The Story