Ten years ago: Arise Lord Vader

Here’s another in my series of ten year old photos.

Arise Lord Vader — episode 3 got a lot of promotion. Or, as I joked at the time: Connex was aligned with the Dark Side.
Arise Lord Vader - Flinders Street station, May 2005

The Dungeon: platform 13 at Flinders Street. The screens have been replaced with a flat model, and an escalator was installed to the concourse, but I’m not sure it’s changed that much otherwise.
Platform 13, Flinders Street Station, May 2005

M and I must have been out on a dog walk and found this sign. Edgewater (then under construction, now a thriving infill suburb) is in that abyss somewhere.
Edgewater, May 2005

Also on the dog walk. Evidently the residents of Rippon Street were very proud of their second prize from 16 years earlier. Google Streetview shows the sign was still there in March 2014.
Near Vic Uni Footscray Park, May 2005

It was ten years ago this month that we had the funeral for Tram Stop 7 (on Collins Street and Russell Street) — since merged with the Exhibition Street stop in favour of a mid-block tram stop. I think it was the first time the “one stop per block in the CBD” rule started to be diminished — these days it’s near-impossible to know where the closest stop is to Street X. It got plenty of media interest. Naturally to this day you see trams stop there for the traffic lights, but unable to pick up or drop off passengers. (More pictures)
Funeral for a tram stop, May 2005

My desk back then. Old computer (bought earlier that month), old fat screen, old bulky printer. Copy of Train Simulator on the desk. Blue Linksys router in the background — WiFi antennae up, I don’t even recall if I used WiFi for anything back then.
My desk, May 2005

Crowdfunded documentaries

I’m aware that my blog has evolved… these days most of the posts are about transport, reflecting my current interests.

I wonder if this is a bit dull for those who have been on the old Toxic Custard mailing list, which is the descendant of the humour-based email list I started while at uni.

Yet transport posts get by far the largest number of comments. Hmmmm.

Here’s a post to mix it up a bit.

Crowdfunded documentaries

Last year I helped crowdfund two documentaries:

Bedrooms To Billions — the story of the beginnings of the computer game industry, from the perspective of UK developers. In the 80s, the first games were written by schoolboy (mostly boy) coders with cheap computers in their bedrooms, manually copying tapes and sending them out by post. I was in that age group, and tried to write my own games too…

I knew much of the story, but the extensive interviews with those involved at the time made this really interesting, especially the first half or so.

I probably got a bit carried away: I contributed enough money that you’ll find my name in tiny writing in the credits somewhere.

Well worth a look if you’re into retro gaming.Thumbs up!

The Outer Circle — Melbourne’s forgotten railway — many would know that the Alamein line and linear parks and bike paths are all that’s left of a line which once ran from Fairfield via Camberwell to Oakleigh.

This documentary manages to have a lot of detail in it, without ever being dull, and has some terrific accounts from actual users of the line, as well as archival footage and photos. I for one had no idea that John Monash built the line. Well worth catching.Thumbs up!

I’m pretty happy my contributions helped these two get made.

I’ve since donated to the sequel to Bedrooms To Billions, and I’ll be on the lookout to see what others get proposed which are worth a look.

Back in the mid-70s when Monty Python was developing The Life Of Brian, they got a sizeable contribution of funds from George Harrison, because he “wanted to see the movie”. That’s not an option most film makers have, of course.

Crowdfunding is something that has probably only become practical since the spread of the internet. The long tail of interests means a special interest group like this can reach the numbers of people necessary to make it viable.

It’s nice to see technology being used in this kind of way — something that would have seemed unimaginable just a decade or two ago.

1978 film “Mouth to Mouth” includes scenes of Melbourne anti-freeway protests

The recent anti-motorway protests in Melbourne are nothing new. In fact the very same area was subject to protests in the 1970s, when it was proposed to link the Eastern Freeway to the Tullamarine Freeway by way of an aboveground link, by converting Alexandra Parade to a freeway, ploughing through neighbourhoods in Collingwood, Carlton and Fitzroy.

Film and television can sometimes provide little glimpses of these events. M told me that on Sunday night, Channel 31 as part of their classic Australian film series, was showing 1978’s Mouth To Mouth“, about four youngsters trying to survive on Melbourne’s streets.

Anti-freeway protest, from "Mouth To Mouth" (1978)

Anti-freeway protest, from "Mouth To Mouth" (1978)

About 43 minutes in, there’s a scene were one of the characters looks out of a window and spots one of the anti-freeway protests. I assume it was staged for the film, as they are marching to an audience of nobody, but the placards look to be directly inspired by real life, one criticising the then-Premier — partly out of shot, but I think it says “What about your 1972 promise – No more freeways, Mr Hamer”.

Others such as “Melbourne needs a transport plan!” and “Freeways – Money for jams” wouldn’t be out of place today.

Anti-freeway protest, from "Mouth To Mouth" (1978)

Anti-freeway protest, from "Mouth To Mouth" (1978)

I missed the scene on Channel 31’s broadcast, but found the DVD for the bargain price of $5 plus $1.30 shipping on Umbrella Entertainment’s web site.

In other scenes you can glimpse bright orange trams, safety zones, rows and rows of telephone boxes, a red rattler train, the old Coles cafeteria, and numerous old cars. There’s also a scene set in a plush hotel — possibly the Southern Cross.

And apart from the scenery, the film itself isn’t bad either. Apparently it got three AFI nominations.

Doctor Who breaks new ground for television

It would seem Doctor Who is breaking new ground in some interesting ways.

They’ve engineered a “world tour” which involves the show’s stars jetting around the world for live appearances in 6 cities around the globe over about a week. It’s just about finished now… I’d imagine they’d be suffering horribly from jetlag by the time they get back to the UK. It was a set of public screenings for fans, but given limited capacity at each venue, I suspect was mostly set up as a media event.

Doctor Who: Deep Breath cinema ad, The Age, 15/8/2014

Next week “Deep Breath”, the new series opening episode will be simulcast on the ABC at the same time as it airs in Britain — 7:50pm Saturday in the UK, 4:50am Sunday in eastern Australia. It’ll then be available on iView straight afterwards, with a prime time repeat at 7:30pm. The same occurred with the 50th anniversary episode “Day Of The Doctor” last November.

It’ll also be shown in the cinemas on the Sunday: from the looks of listings on yourmovies.com.au, almost 100 cinemas in Victoria alone will show it.

Cinemas do seem to be moving into this kind of special event area. Perhaps they are looking to diversify from traditional movies, and also sensing that people will willingly pay a higher “event” price: Village is charging $25 for tickets, about $6 more than the normal price, and $40 for Gold Class, which is about the usual price. So they’ve recently taken on screenings such as showing the Monty Python live concert from London, a similar Stephen Fry event, classical music concerts and operas — and Doctor Who episodes — “Deep Breath” follows “Day Of The Doctor” in this regard, and recently some cinemas have also shown episodes in the past (though well after the TV broadcast).

I guess the production of TV programmes in 1080p HD now allows projection onto the big screen, and digital media allows distributors to rush it to cinemas worldwide without messing about trying to get physical film out there. But still, in the world of television, this and the simulcast appear to be almost unique to Doctor Who.

Of course there’s long been a relationship between TV and cinema. In the 60s in particular it was common for TV series (particularly in the UK) to be remade as films, sometimes with the same cast and writers, and considered part of the TV series; sometimes independent (as with the 1960s Doctor Who movies).

Many of our family is going to see “Deep Breath” in the cinema. The kids are going to screenings with their friends — M and myself have splurged on Gold Class, and will most likely avoid the early TV broadcast and try and avoid spoilers until we see it on the big screen. (I avoided seeing “Day Of The Doctor” because it was only shown in 3D, which doesn’t work on me.)

Notably, booking on the Village Cinemas web site, we found that on top of the ticket price there was a $2 booking fee for standard tickets… but a whopping $10 for Gold Class. Using the identical web site of course, and you have to print the ticket or show it on your mobile phone. The cheek of it.

Oh well, cost aside, it should be great — but it makes me wonder: Doctor Who is probably helped into this situation by being a cult show that’s also very popular, and being targeted at all ages… but is any other TV show getting this kind of treatment?

Before home video

In the days before home video, we had to resort to other means to re-live movies and TV shows.

Novelisations of productions were common. I knew people who had hundreds of Doctor Who novelisations — virtually every story had a book published. I had perhaps a dozen.

WarGames book coverOther books made it into publication — scripts, programme guides, and spin-off material. Of course these are still common, but perhaps only for specific “cult” titles that the makers think will sell really well.

I used to have the script for The Singing Detective. At home I still have two books from The Goodies, which have a wealth of quite amusing material. I didn’t bought them, but acquired them both from the primary school library during clear-outs.

Some people would record TV shows onto audio tape. About a hundred 1960s Doctor Who stories are still lost — but audio recordings exist for every single one. (It’s perhaps a sign of the priorities of big bureaucracies like the BBC that paperwork exists for all the stories, despite the actual stories having been thrown out.)

In the 80s before I had saved up for a VCR, I recorded some stuff onto audio… from memory by just putting a tape recorder close to the TV, though I may have later rigged up a cord connecting the two directly. The Young Ones was an example — I had most episodes on cassette, and listened to them regularly for a while.

One of the movies I bought the novelisation of back in the day was WarGames, which as I’ve written about before, was very influential on me. As I recall it follows the movie script closely, but has a few extra titbits: such as that after the movie ends, David gets a summer job doing computer work at NORAD, and his school is convinced to buy some computers to teach computer studies to the students.

I don’t know what happened to my copy of the book. Presumably I got rid of it during a house move at some point. So in the best traditions of nostalgia, when I got curious and looked on eBay the other week, I found a copy for under $10, and bought it again.

I still love the movie. I bought the 25th anniversary Blu-ray release recently as well — it looks great in high-definition. I’ll probably re-read the book at some stage. It’s only 220 pages — it’ll be a pretty quick read I’m sure.

Nowadays, people can record anything off TV easily using cheap technology, and perhaps every major TV show and movie is released on DVD and/or Blu-ray, and (eventually) repeated ad infinitum on one of the many TV channels. No wonder novelisations have mostly disappeared, and few people record audio off the TV anymore.

  • Ever wondered about the term “Wardriving“, meaning to look for open Wifi networks while driving? It’s derived from “War dialling“, meaning to ring lots of phone numbers looking for computers answering… the word came from the movie.)
  • Speaking of scripts, there are over 80 made freely (and legally) available for download here: Go Into The Story