Oz Comic-Con 2015 – and marriage equality

Science fiction and fantasy conventions used to be a homespun affair, run by the local clubs, featuring broadcasts of rare episodes and out-takes (before it all got released on DVD) and fan films. If there were guest artists, often they would appear only if they happened to be in the country at the time, and fees for photos and autographs were unheard of.

These days it’s big business. Not that it’s a bad thing. I like that geek culture is no longer a hidden-away, niche enterprise, and those who are interested in it have big events like Oz Comic-Con and Armageddon, and SupaNova, and others to go to every year.

And yet for all the big budget exhibition halls and merchandise stalls and paid guest appearances, it’s still the fans and their costumes that make it what it is.

OzComicon 2015: Batman

On the train into OzComiCon on Sunday morning, we were keeping a lookout for others attending — of course it’s sometimes a guess as to whether someone’s in costume, or just dresses eccentrically. I’d had a plan for a costume but wasn’t organised enough to get it all prepared, so went in civvies, but it was just as well as at lunchtime I had to duck out to talk to Channel 9 about the airport rail link.

This year it was at MCEC (along with SpecTex15 — a trade show about specialist textiles… their attendees were a little less outlandishly dressed).

Given the number of Doctor Who fans out and about, it was a shame that there were no related guests or sessions, but I went to an interesting Star Trek: Deep Space 9 session with Terry Farrell (Dax) and Rene Auberjonois (shapeshifter Odo).

Mostly it was light-hearted, but at one point they noted Friday’s marriage equality decision of the US Supreme Court, and Farrell said she was proud of the episode where she kissed another female actress — although the genders of both characters was unclear, she said that it had provided a chance to indirectly have the show stand up for people who then might have been unable to be public about their own relationships.

I’m struggling to paraphrase it well; she expressed it in a much more graceful and passionate way, and got a round of applause from the audience. In any case, it fits in well with the generally progressive vision of future society that has long been the hallmark of the Star Trek franchise — everything from the once-controversial multi-racial cast to the absence of money.

Anyway, here are some photos from OzComicon… as you can see, it was pretty busy, and people in costume were only too pleased to pose for photos.

Who you gonna call?
OzComicon 2015: Who you gonna call?

Whatever you do, don’t cross the franchises!
OzComicon 2015: Whatever you do, don't cross the franchises!

Lego TARDIS! Lego Pac-Man!
OzComicon 2015: Lego Tardis and Lego PacMan

Captain Picard from Star Trek: Next Generation snaps a photo of a Star Wars Storm trooper.
Captain Picard snaps a stormtrooper

Lots of cosplayers pose for a photo outside… you can see the picture in this News.com.au story: Costume-clad fans flock to Oz Comic-Con Melbourne 2015
OzComicon 2015: Gathering for a photo
(View this photo at full size)

More media coverage:

Speaking of marriage equality, I’m somewhat surprised to see this that this tweet netted over 300 retweets and a similar number of favourites in 24 hours, and got quoted on Buzzfeed. Cool!

Ten years ago: Arise Lord Vader

Here’s another in my series of ten year old photos.

Arise Lord Vader — episode 3 got a lot of promotion. Or, as I joked at the time: Connex was aligned with the Dark Side.
Arise Lord Vader - Flinders Street station, May 2005

The Dungeon: platform 13 at Flinders Street. The screens have been replaced with a flat model, and an escalator was installed to the concourse, but I’m not sure it’s changed that much otherwise.
Platform 13, Flinders Street Station, May 2005

M and I must have been out on a dog walk and found this sign. Edgewater (then under construction, now a thriving infill suburb) is in that abyss somewhere.
Edgewater, May 2005

Also on the dog walk. Evidently the residents of Rippon Street were very proud of their second prize from 16 years earlier. Google Streetview shows the sign was still there in March 2014.
Near Vic Uni Footscray Park, May 2005

It was ten years ago this month that we had the funeral for Tram Stop 7 (on Collins Street and Russell Street) — since merged with the Exhibition Street stop in favour of a mid-block tram stop. I think it was the first time the “one stop per block in the CBD” rule started to be diminished — these days it’s near-impossible to know where the closest stop is to Street X. It got plenty of media interest. Naturally to this day you see trams stop there for the traffic lights, but unable to pick up or drop off passengers. (More pictures)
Funeral for a tram stop, May 2005

My desk back then. Old computer (bought earlier that month), old fat screen, old bulky printer. Copy of Train Simulator on the desk. Blue Linksys router in the background — WiFi antennae up, I don’t even recall if I used WiFi for anything back then.
My desk, May 2005

Crowdfunded documentaries

I’m aware that my blog has evolved… these days most of the posts are about transport, reflecting my current interests.

I wonder if this is a bit dull for those who have been on the old Toxic Custard mailing list, which is the descendant of the humour-based email list I started while at uni.

Yet transport posts get by far the largest number of comments. Hmmmm.

Here’s a post to mix it up a bit.

Crowdfunded documentaries

Last year I helped crowdfund two documentaries:

Bedrooms To Billions — the story of the beginnings of the computer game industry, from the perspective of UK developers. In the 80s, the first games were written by schoolboy (mostly boy) coders with cheap computers in their bedrooms, manually copying tapes and sending them out by post. I was in that age group, and tried to write my own games too…

I knew much of the story, but the extensive interviews with those involved at the time made this really interesting, especially the first half or so.

I probably got a bit carried away: I contributed enough money that you’ll find my name in tiny writing in the credits somewhere.

Well worth a look if you’re into retro gaming.Thumbs up!

The Outer Circle — Melbourne’s forgotten railway — many would know that the Alamein line and linear parks and bike paths are all that’s left of a line which once ran from Fairfield via Camberwell to Oakleigh.

This documentary manages to have a lot of detail in it, without ever being dull, and has some terrific accounts from actual users of the line, as well as archival footage and photos. I for one had no idea that John Monash built the line. Well worth catching.Thumbs up!

I’m pretty happy my contributions helped these two get made.

I’ve since donated to the sequel to Bedrooms To Billions, and I’ll be on the lookout to see what others get proposed which are worth a look.

Back in the mid-70s when Monty Python was developing The Life Of Brian, they got a sizeable contribution of funds from George Harrison, because he “wanted to see the movie”. That’s not an option most film makers have, of course.

Crowdfunding is something that has probably only become practical since the spread of the internet. The long tail of interests means a special interest group like this can reach the numbers of people necessary to make it viable.

It’s nice to see technology being used in this kind of way — something that would have seemed unimaginable just a decade or two ago.

Photos from March 2005

In my continuing quest to post ten year old photos, I went looking for good stuff from March 2005. There isn’t much of interest, alas.

It was the month that the new revamped rebooted Doctor Who started — on 26th March 2005 — and I did find this photo of Jeremy — not watching from behind the sofa per se, but close to it.
Doctor Who - watching from behind the sofa... almost

Oh, here’s an (official?) tenth anniversary video:

Small eggs — I think this was on a walk with Marita’s dog at Altona Beach. Any idea what type of bird laid these?
Small eggs near the beach

Finally, I have no idea why I did this, or why I filmed it: shaking up a bottle of Coke in the laundry, and seeing what happened. Perhaps I thought it was past its best by date and needed to be dumped, and decided to experiment with it? I honestly don’t remember.

That’s all I’ve got for this month. April’s looking much more interesting.

The West Wing and widescreen

This is one of those blog posts which is mostly for my own interest.

We’re up to the start of season 2 in our West Wing DVD (re)watching. That season 1 cliffhanger is brilliant… only spoilt by the excessively perky end theme music (I love the opening title music, but I’ve never liked the ending piece, to be honest).

The West Wing is one of those shows that lasted across the transition from traditional 4:3 television to widescreen 16:9, and the DVDs reflect this.

Season 1 and 2 — the episodes are in 4:3, but oddly the menus are in 16:9. Interestingly, the opening theme changes from the first few episodes — it gets a lot more pomp and circumstance at about episode 5. In this Q+A with composer W.G. ‘Snuffy’ Walden, he says: As a matter of fact, the first couple of episodes don’t have the orchestra version, they have a synth version as we had to get on the air and couldn’t get the main title done in time.

It was from Season 3 that they started making the show in widescreen. I found this media announcement from 2001:

BURBANK – July 19, 2001 — NBC next season will broadcast its popular, critically acclaimed and Emmy Award-winning “The West Wing” (Wednesdays, 9-10 p.m. ET) in a special format – “Presented in Wide Screen” – just as the network has done with television’s top-rated drama, “ER” last season.

The audience-friendly process will feature a 1.78:1 aspect ratio (or more commonly known as “16×9″) as opposed to the basic 1.33:1 (or “4×3″) ratio that is standard on almost all television programs. Because the more rectangular picture encompasses a wider swath of action, a narrow black strip will appear at the top and bottom of the screen that is a form of the letterbox format often used to present feature films on television.

So on the Season 3 DVD — the episodes are in widescreen, but letterboxed (“non-enhanced”), which means they need to be zoomed to fill the display on modern widescreen TVs, and consequently you lose some resolution. Presumably they’d fix this the next time this season is remastered.

Seasons 4 to 7 — full widescreen.

Interestingly, the series was made on film, and in 2010 the entire series was re-released in high-definition… but not on Blu-ray, only on iTunes, for $24.99/season, or $3.49/episode.

It’s not actually the first time it’s been around in high definition. I seem to recall the later seasons aired on ABC1 digital when there was an ABC1 HD channel (before ABC News 24 launched), and though I didn’t have a digital TV at the time, I did sneak a look on the computer with an HD tuner card. It looked gorgeous.

But rather than buy on iTunes what I already have, I think, for now, we’ll stick to the DVDs.

Related: the conversion of old shows to widescreen can be controversial. This fascinating blog post about The Wire reveals that the whole style of the show was based around 4:3 images, and they stuck with it through the series run — but now the push is on to remaster it into widescreen high definition, which in some cases works well, and in others changes the feel of some scenes.